Spirit of Life

Thomas Chippendale didn’t grow up in London (in fact he was born in Leeds in 1718), but he did move to London at the age of 31, after he had already gained recognition as a premiere furniture maker and cabinetry-focused interior designer. His work and styles influenced the London Interior Design community then, and the Chippendale aesthetic continues to extend its impact well beyond London even today.

Chippendale’s fluent, natural and sophisticated style developed after the promotion of his furniture and interior designs in “The Gentleman and the Cabinetmaker’s Director” in 1754. Chippendale continued to make iconic contributions to the field of interior design until 1790. His furniture came to be manufactured as far afield as Philadelphia in the USA.

Chippendale drew on three key interior design inspirations for this work – namely French, Asian and Goth. In the USA, Chippendale’s work was interpreted as a re-envisionment of the Queen Anne interior design style. His furniture was often heavily ornamentalised on the feet and uppers, with beautiful heritage-inspired scroll tops on taller units. Yellow Birch and Mahogany were often used, undersupport was rarely employed, and the rears of seated furniture were covered with plush fabric or otherwise left as shaped wood, perhaps as tessellated piecework with ornamental sculpting and Asia-inspired cross-strips. To round out his own personal interior design style, Chippendale would also include delightful finials and varnished shellac features.

Interior designers are often asked about the origins of the profession – especially in the context of quality of life versus product. Has our modern quality of life driven our craving for high-quality design, or has design really been more of a primary impactor in defining how we enjoy wellness? In this article, I will draw on my experience in London’s prestigious interior design community to reflect on how the design process works from this perspective.

When interior designers begin engaging with a potential client, they will often ask about function. What is the desired purpose and use of the room or residence? The answer to this question has a profound impact on everything we do. If a client is desperate for luxury high-end London extravagance in the form of a damask settee, we may recommend a synthetic damask fabric instead of cotton or satin for a household that includes young kids and a pet dog. Breathtaking interior designs are always the goal, but only in the context of compatibility with our clients’ unique London lifestyles.

Interior designers sometimes get asked about the hottest colour trends. And this season, we have a confession to make: white is the new black! White interior designs are hip and trendy once again, and in particular those sterile white kitchens are now all the rage. This is particularly true in London, where the dull and gloomy skies can make clients cry out for a touch of bright white interior design freshness.

When you walk into a beautiful white kitchen designed by a top London Interior Designer, what do you feel? Many of us are overwhelmed with all sorts of emotions. We feel carefree and almost as if we are floating on air. The pervasive whiteness brings to mind age-old simplicity, sanitary freshness, contemporary impact, and a roomy, playful outlook. The interior designer will use the white kitchen as a philosophy to evoke a sentiment of purity for food preparation and to empower boundless chef-inspired inspiration.

Many interior design consultancies use white as a fabulous background for the presentation of magical colours and textures. For example, one top trend today is to use deeply varnished wooden joists to contrast with sharply-defined white architectural surrounds. Colourful interior design accents really “pop out” in this context. Alternatively, the quiet pastels of a London autumn can make for a classic and sophisticated interior design scheme.

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This fourth article concludes my series.

Linear light patterns can focus on either the horizontal or the vertical metrics of a room. A given wall-light technique can create an immersing halo effect, if the interior designer uses concentrated super-bright light at high level that gradually fades out towards the base. Some London Interior Design consultancies specialise in choosing continuous sources, such as a miniature tungsten rack for a soft light or overlapping fluorescents for a cooler light. This is an effect that works very well in contemporary interior designs, where light can be concealed between the wall and the ceiling in a crevice in order to take the place of the traditional cornice.

As a professional London Interior Designer, I meet with clients all the time who simply crave more originality and personality in their interior spaces. It is such a delight for the interior designer to be able to transform a house into a home by judicious use of lighting, stencils, photo frames, rugs and frames, to name just a few. Each of the different classes of accessories allows the professional interior designer to lean into a certain style, emotion or personality framework in order to create stunning results. In this article, I will draw on my experience in London’s design community to suggest a few great options if you’re looking to spruce up your home this winter with some interior designer magic.

LIGHTING. If there are nooks and crannies that just don’t get enough light, interior designers may recommend low-voltage illumination to make your interiors look larger and more welcoming. This can also boost your mood – perfect for the gloomy and overcast London skies that are all too common this time of year. Some professional interior designers will recommend theatrical lighting moods, so that you can flip between settings to choose either relaxed, or atmospheric and edgy, or task-orientated, all according to your needs.

In their training, student interior designers often learn about the history of their profession. This can be a really important way to give context to their subsequent careers. In this article, I will draw on my experience as an interior designer and educator to discuss the history of this exciting field.

The earliest professional interior designers were based in London – the British had become intrigued by Egyptian techniques of decorating household objects and wanted the same for themselves. London families became desperate to employ an interior designer to create magical spaces and accessorise their interiors. As interior designers came to be recognised as professionals, they increasingly found a need to draw on history to create fabulous results. This was particularly true when creating designs for historic London mansions or listed buildings – they saw historical reflections as a way of preserving the past while also looking to the future.

THE ANCIENT ROMANS

In Ancient Rome, citizens demanded comfort, luxury and wealth. These elements are still important in the work of interior designers across the world today. The lavish decorations, tapestries and iconic stonework today remain as timeless and popular in London as in Tokyo or Sydney. The Ancient Romans adored bespoke furniture and loved quality textiles and expensive fabrics.